Description
Beverly McFarland was CALYX’s Senior Editor; Margarita Donnelly was the Director; Micki Reaman was the Managing Editor; and Teri Mae Rutledge was the Promotions Coordinator. The CALYX Editorial Collective is the recipient of many honors, including the 1996 Oregon Governor’s Award for the Arts.
| Katherine Sturtevant | Apple and Stone |
| Marisha Chamberlain | Firewood |
| Molly Gloss | The Doe |
| Carol Orlock | There Are Colors |
| Julia Alvarez | New World |
| Cherríe Moraga | It Is You, My Sister, Who Must Be Protected |
| Phyllis Wolf | White-Out |
| Beth Brant | The Fifth Floor—1967 |
| Linda Hogan | Crow |
| Sandra Scofield | Loving Leo |
| Claribel Alegría | Luisa in Realityland (excerpts) |
| Shirley Sikes | Falling Off the Matterhorn |
| Valerie Matsumoto | Two Deserts |
| Marianne Villanueva | Siko |
| Shirley Geok-lin Lim | Native Daughter |
| Tahira Naqvi | Paths upon Water |
| Amy Jones [Sedivy] | Sanctuary |
| Kathleen Alcalá | The Transforming Eye |
| Ruthann Robson | Lives of a Long-Haired Lesbian: Four Elemental Narrations |
| Charlotte Watson Sherman | Killing Color |
| Maria Luisa Puga, Translated by Julie Albertson |
Young Mother |
| Rosa Margot Ochoa, Translated by Bertie Acker | Happy Mourning |
| Aiyana Trotter | We Have Always Stashed Our Bones in the Closet |
| Barbara Branscomb | Walking Away |
| Beth Bosworth | Sheets |
| Alicia Ostriker | Esther, or The World Turned Upside Down |
| Viki Radden | A Thing about Italy |
| Carolyn Barbier | Nighthawks |
| Kim Silveira Wolterbeek | Sarah’s T-Bird |
| Terese Martineau | Sister Zita |
| M. Evelina Galang | Her Wild American Self |
| Hollis Sesamon | Gypsies in the Place of Pain |
| Dee Axelrod | River |
| Rebecca Lavine | Afterward |
| Kristin King | The Wings |
| Margaret Willey | Scissors Girl |
| Rita Marie Nibasa | A Line of Cutting Women |
Reviews
“What an extraordinary collection of worthwhile writing, brave in many cases, beautiful in almost all.” —Grace Paley
“This impressive collection of first-rate short fiction is like a jeweler’s tray of tidy, brilliant gems. Fine literary talent—some well known, others who will become so—has been assembled in a cross-cultural range from Japanese to Jewish, Native American to Korean , Mexican to Mormon. Anyone who still doubts the existence of a multicultural ‘women’s culture’ will be forever changed by this book—and will have enjoyed a fine read in the bargain.” —Robin Morgan
“A refreshing, rich, satisfying collection…. A great mix of voices including Jewish, Mormon, lesbian, Native American, African American, Asian and Mexican and styles ranging from the plain spoken to the magical/ mystical.” —ForeWord


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